As a full time performing Harp-guitarist for the past forty years, I have had the opportunity to explore the many potentialities of creating music on this wonderful, diverse and under-appreciated instrument. In just the past few years, there has been an enormous resurgence in interest in the harp-guitar, and there are now many new players performing on the instrument, offering a cornucopia of diverse styles and approaches. It is with this heightened awareness of the harp-guitar in mind that I feel impelled to share much of what I have learned over the span of my harp-guitar career, particularly in the area of string activation technique.
Eddie Murphy
Christopher Columbus
Charles Mackintosh
comment rajeunir
Andrew Wyeth
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